HALL OF FAME INDUCTEES
Golden Era 1940 - 1960

Hall of Fame

This country's leading radio station and the first established all East Indian radio station 103FM, on Saturday 22nd, September 2001 conceptualized and executed the first ever East Indian Hall of Fame and Music Awards Gala, at the Central Bank Auditorium in Port of Spain that recognized the contributions of personalities who made tremendous contributions in the spheres of Classical Singing, Orchestras, Dancers, Cultural Research, Sound and Promotions by inducting these receipients in the Hall of Fame for the period - GOLDEN ERA1940 - 1960....

Classical Vocalists:

Taran Persad
Ramdhanie Sharma
James Ramsewak
Kunjh Beharry Singh
Jhagroo Kawal

Orchestras:

Naya Zamana
S.M. Aziz
Jit Seesahai

Dancers:

Champa Devi
Owen Ali

Instrumentalist/
Indian Cultural Research:

Narsaloo Ramaya

Special Recognition:

Balroop Mungal

Promoters:

Moen Mohammed
Kamaluddin Mohammed
Pat Mathura
Bisram Gopee

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The Golden Era

Owen Ali
Owen Ali was an indian dancer of african descent. He lived in Carapichaima and was very popular in his district when he first ventured into indian dancing. He danced where ever there was an indian orchestra playing at a wedding or even at a stage show. At some of these stage shows, when Naya Zamana performed and Champa Devi danced, Owen Ali became part of the performance and danced duets with Champa.

As an Afro-Trinidadian, he identified himself completely in indian culture and danced his way into the hearts of the indian population. He was well liked and apreciated in the community. He passed away in 2001 at the Mount Hope Hospital after a period of illness. Quite remarkably, just a few weeks after Champa Devi died in New York.

Jhagroo Kawal
Jhagroo Kawal whose original name was Joseph Narine was a singer of the old tradition. He gained his first knowledge in music through Fakeer Mohammed and the Indra Sabha Dance Drama. He got most of his experience in classical singing from a group which consisted of Fakeer Mohammed, Ali Jan, Bel bagai and Ramcharan Ustad. In addition to this he acquired a great deal from music books.

With this stock of musical knowledge, Jhagroo was bound to be in the frontline among great singers. Jhagroo reached the peak of his musical career during the 1940's with the passing of the old mentors.

Singing duets were common events at that time. The first concert of the sort was held in Port of Spain in 1938 between Jhagroo Kawal and Benny Seenath in a battle of twenty songs. Jhagroo walked away the winner of this contest and another which followed in 1943 between Ramdhanie Sharma and himself.

Taran Persad

Taran Persad was unquestionably one of the most outstanding singers of his time. Born in Carapichaima, at the age of 12 he migrated to Port of Spain to reside at the home of Hamid Ali, where in the late 1930's and 1040's he was exposed to the latest in indian records.

Under the watchful eyes of Hamid and the guidance of Nazeer, Taran began his career of singing and inundated Trinidad with the kind of singing that mesmerized the population. His tone and melody and other embellishments placed him above the rest. In 1940 he went to Guyana with Nazeer's troupe and created a sensation with his youthfulness and brilliant singing.

In the Gulshan Bahar show he was the star singer with Champa Devi as the star dancer. When radio was inaugurated with the programme indian talent on parade, Taran Persad was among the first singers with the naya zamana orchestra on the airwaves. indeed, Taran Persad was the brightest star of his time.

Champa Devi
Champa Devi was a great celebrity in dance throughout the decades of the forties and fifties. Champa was born in 1923 and while still in her teens, came under the supervision and care of Fakeer Mohammed from whom she learnt her early dance steps.

In the early 1940's, she went with Nazfer's troupe to Guyana. Champa remained in Guyana and appeared in stage shows with Mohini Devi and a Guyanese impressario named indal singh.

In 1943 she returned to Trinidad at the request of Murli Kirpalani and Budbeer Singh to take part in the stage play Gulshan Bahar. She was the main attraction in the show as she danced and sang to audiences who were overwhelmed. Nezeer Mohammed and Naya Zamana Orchestra utilized her talents afterwards and throughout the following years gave performances in theatres, halls and tents. Where ever Champa Devi danced the Naya Zamana Orchestra was called upon to play.

In 1945 the indian celebrations were held at skinner park, San Fernando to make 100 years of east indian indentureship in a spectacle of pomp and pageantry. The highlight of the celebration was a stage performance by Champa Devi and Naya Zamana. With the coming of radio programmes, Champa was a regular feature singer with the Naya Zamana Orchestra. Later she migrated to the United States where she later passed away in 2001.

Narsaloo Ramaya

Narsaloo Ramaya had a strong musical bent as a child. In 1938 he bought his first violin and with Nazeer Mohammed and the Naya Zamana Orchestra, was in the vanguard of modern music development, which started in the 1930's. It was a period of growth and change when old musical forms were being ushered into the background and the modern indian film songs and the Gramoxphone Records had overtaken the musical landscape of Trinidad.

Narsaloo was one of the central figures in this development and with his violin and the Naya Zamana Orchestra laid a trail of music across the country during the 1940's to 1950's, the like of which was never before witnessed in Trinidad.

Narsaloo became the leader of the orchestra in 1965 and continued steadfastly in indian music. In the late 1970's he relinquished his commitment to the Naya Zamana Orchestra, but continued throughout the 80's and 90's to oblige requests as guest solo player occasionally, but more significantly to play at devotional satsangs in mandirs and other religious functions.

James Ramsewak

James Ramsewak was one of the renowned singers in Trinidad who celebrated a long career in classical singing. He was born in Barrackpore, with music being his first love. He was a graduate of the American Voice Institute. At the age of 17 he started singing classical songs at weddings. In 1940 he was among the first group of artistes to put their voices on DECCA records.

He participated in the international singing competition in Guyana. Ralph Narine accompanied him on the violin with Bisram Gopee being the organizer of the event.

James Ramsewak founded the Sangeet Siksha Mandali and tutored upcoming singers in the classical art. Some of his students were Lily Ramcharan, Tarzan Shah Mohammed, Drupatee Ramgoonai and Heeralal Rampartap. He was a music tutor in the Ministry of Community Development program. Having a good knowledge of hindi, he was able to compose some of his own songs.

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Kunjh Beharry Singh

Kunjh Beharry Singh was the most popular classical singers of Trinidad. He was born in El Socorro but later moved to Longdenville where he settle and raised a family. 'K.B.' as he was popularly known, engaged in many singing competitions, but his most notable achivement was his successive victories in the classical singing competitions hosted by the NCIC, in which he was a four time winner.

K.B. started singing in his teens, having gotten his inspiration from his father. He developed a good style of the classical form and maintained his love for classical singing when most of the singers of his time were shifting to the newly popular film songs.

He developed a good repoitoire and became a favourite singer on'cooking nights'when he would encounter his rivals Hanif Mohammed and Yusuf Khan. K.B. was bestowed with other talents besides singing. In his youth he was a dancer and played a vital role in the Indra Sabha show.

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